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Sculpture
Garden
May 3-October 26, 2008
The Sculpture Garden is itself an artisitic achievement that encompasses
constituent pieces of art. Visitors
encounter pieces almost as soon as they enter the grounds, from Charles
Ginnever’s monumental aluminum installation 4 the 5th (of
Beethoven) in the lower meadow to the pieces exhibited on the grounds
of Yester House Gallery, the Wilson Museum, the Arkell Pavilion and
the Madeira Education Center.
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Free
Opening Reception
Saturday, May 3, 2008
2:00-4:00 p.m
.
George Sherwood
Massachusetts artist George Sherwood merges a diverse background in
fine arts, performing arts and engineering to create wind powered kinetic
sculptures of reflective stainless steel. "My sculpture explores
aesthetic systems of space, time and the dynamic relationships of objects
in motion," says Sherwood. The choreography of each piece is governed
by a set of basic movements, facilitated by an arrangement of rotating
joints and aerodynamic surfaces. The wind provides an unpredictable
element of improvisation. "Wind speed and direction, shades of
light, time of day, precipitation and seasonal color interplay,"
says Sherwood, "to transform the qualities of movement and light."
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Joseph
Fichter
Working with the varied characteristics of steel, Joseph Fichter strives
to render fluidity to his welded metal horses, to create forms of strength,
grace and movement. An avid horseman – the building that houses
his Putney, Vermont studio also houses several horses that he and his
family ride – Fichter has developed an appreciation for the majestic
shapes of a horse in motion, the rounded muscles and the angle of the
walk, trot and gallop. "Watching horses move," says Fichter,
"and seeing the unique qualities of each breed has shaped my interest
in bringing together the beauty of horses with the possibilities of steel."
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Gregory
Smith
North Pownal, Vermont, native Gregory Smith began his sculpture studies
with Isaac Witkin and Brower Hatcher at Bennington College, and later
studied with Paul Aschenbach at the University of Vermont. He has worked
in wood, clay and bronze, but his media of choice lately has been welded
steel and, most recently, copper. His multi-award winning sculptures are
at once whimsical and entirely serious, reserved yet resonant.
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Jack
Chase
Born in 1941, Jack Chase is an eighth-generation Vermonter who grew up
on his grandfather’s hillside farm in Fletcher, Vermont. Between
then and now, Chase racked up a West Point education, a graduate degree
in geology, two combat tours of duty in Vietnam and a stint as a program
manager for General Electric. He’s been sculpting – his medium
at the time was abandoned farm machinery – since 1972. "Each
part of a well-used but tired machine is to me a creature with its own
personality," says the multi-award-winning sculptor.
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Richard
Erdman
In connection with the Vermont Marble Trail Project
Richard Erdman creates abstract sculpture of both intimate and monumental
scale in stone and bronze from his studios in Williston, Vermont, and
Carrara, Italy. His art is known for its vitality, energy, and seemingly
light buoyant motion, as if defying the material from which it is formed.
The power and life the artist bestows in his work, both daring and subtle,
conveys passion and strength, deeply engaging the viewer. Erdman will
present "Between the Lines: Richard Erdman, Sculptor" on Saturday,
July 26 from 1:00-3:00 p.m. in conjunction with a weekend-long celebration
of the Vermont marble industry, part of the Vermont Marble Trail Project.
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